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(Source: artpixie)
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(Source: quatrodosesdetequila, via iamonlyamaid)
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"it took me nearly a year to get here. it wasn’t so hard to cross that street after all, it all depends on who’s waiting for you on the other side."
- Elizabeth, My Blueberry Nights (2007)(Source: prahesty)
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Poster and gallery images from “RED®UM: An exhibition inspired by Stanley Kubrick’s The Shining”, which ran in Singapore in August, 2010.
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On what they are.
- Steve Rogers: you may not a threat but you should stop pretending to be a hero.
- Tony Stark: you're just a lab experiment, Rogers. Anything special about you came out of the lab bottles.
- ..........................................
- Steve Rogers: big man in a suit of armour. Take that off, what are you?
- Tony Stark: uh.. Genius, billionaire, playboy, philanthropist.
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(via peterparks)
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love her so much! ♥
(via hidings)
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High ResolutionArtist: Viktor Hertz (@Hertzen83)
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Sang Penari.
sudah lama sekali rasanya saya tidak menonton film bagus berlatar belakang kebudayaan Indonesia. namun ‘kutukan’ itu nampaknya berakhir juga. karena hari ini (errrr.. kemarin sih :p), bertepatan dengan Hari Pahlawan, juga menjadi hari rilisnya film Sang Penari yang diadaptasi dari trilogi novel romansa klasik karya Ahmad Tohari berjudul Ronggeng Dukuh Paruk, Lintang Kemukus Dini Hari, dan Jentera Bianglala. untuk sinopsis filmnya bisa langsung dilihat di websitenya saja ya hehehe.
photo courtesy of http://sang-penari.tumblr.com/film yang disutradarai oleh Ifa Isfansyah ini menurut saya benar-benar epic! mampu menyajikan suasana klasik dan membawa jiwa penonton untuk ikut kembali ke masa itu. figur seorang ronggeng gemulai dan anggun dari Dukuh Paruk ditampilkan oleh sesosok Srintil (Prisia Nasution) yang dengan magisnya dapat memukau setiap pandangan melalui tariannya. sementara Rasus (Oka Antara), cinta sejati Srintil, dikisahkan sebagai seorang pemuda kampung yang teguh sekaligus bisa menarik simpati penonton hanya dari gestur dan tatapan matanya yang sendu. konflik antar tokoh dan hubungannya dengan sejarah lahirnya orde baru di Indonesia pada masa itu membangun sebuah kisah yang dipenuhi dengan karakter-karakter yang benar-benar “hidup” dan sarat akan permainan kekuasaan. semuanya membekas di hati. bahkan kehadiran para pemain figurannya pun mencuri perhatian dan menciptakan persepsi karakter tersendiri, selaras dengan era dimana film ini dikisahkan. secara visual, Sang Penari sungguh memanjakan mata. sinematografi yang dikemas apik oleh Yadi Sugandi dapat memberikan makna dalam tiap adegannya, memperkuat jalan cerita yang memang diciptakan untuk mengaduk-aduk emosi penonton dan menggiringnya hingga akhir yang memancing banyak perenungan dan…. WOW.
enough said.
sudah lama saya tidak menonton film bagus berlatar belakang kebudayaan Indonesia,
sudah lama saya tidak terhanyut sebegitu dalam ketika menonton sebuah film,
sudah lama saya tidak menangis di bioskop ketika suatu film telah usai ditonton,
dan Sang Penari menjawab semuanya.magis, romantis, pilu, and beautifully done.
(Source: prahesty)
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"the only person standing in your way is you."
- Thomas Leroy, Black Swan (2010)(Source: prahesty)
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High ResolutionIndonesia Bermain!
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Sir.
(via oldfilmsflicker)
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(via allesella)
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In many ways, the work of a critic is easy. We risk very little, yet enjoy a position over those who offer up their work and their selves to our judgment. We thrive on negative criticism, which is fun to write and to read. But the bitter truth we critics must face, is that in the grand scheme of things, the average piece of junk is probably more meaningful than our criticism designating it so. But there are times when a critic truly risks something, and that is in the discovery and defense of the new. The world is often unkind to new talents, new creations. The new needs friends. Last night, I experienced something new; an extraordinary meal from a singularly unexpected source. To say that both the meal and its maker have challenged my preconceptions about fine cooking, is a gross understatement. They have rocked me to my core. In the past, I have made no secret of my disdain for Chef Gusteau’s famous motto, “Anyone can cook”. But I realize — only now do I truly understand what he meant. Not everyone can become a great artist, but a great artist can come from anywhere. It is difficult to imagine more humble origins than those of the genius now cooking at Gusteau’s, who is, in this critic’s opinion, nothing less than the finest chef in France. I will be returning to Gusteau’s soon, hungry for more.
- Anton Ego (from Ratatouille)
(via pixarmovies)
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High Resolutioni don’t think KK Dheeraj, Koya Pagayo, or Maxima Pictures would follow these steps correctly. bollocks.
(Source: camoril)
On the Clapham Omnibus.
just look into my eyes and then you'll see such poisonous things to make a me. not an angel as you like to say, but a broken toy with strings that fray..
